The NACA Music, Art & General Creativity Thread

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AndyRM

Elder Goth
Plenty of ideas on line for garden planters.

But I think either a Viking funeral pyre or Throw them over telephone wires or leave them on top of a bus shelter.

Or you could cut out some of the leather and repurpose as a key fob or bracelet.

I like the key fob/bracelet idea. A lot.
 

AndyRM

Elder Goth
Work begins.

PXL_20250712_140016216.jpg
 

Pross

Active Member
I relaced my new boots this morning.

I've had the older pair since I was 17 (I'm 39).

They've been through a lot and I don't know how to retire them properly.

I'm open to suggestions.

View attachment 9057

You should have invented a sob story and got on The Repair Shop to get them completely refurbished. Maybe tell them your grandad wore them to kick a bunch of Mods on Brighton beach.
 
OP
OP
Xipe Totec

Xipe Totec

Something nasty in the woodshed


I was reading about them yesterday. That's stunning, proper goosebumps stuff.
 
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C R

Guru
Listening to Lowen reminded me of this, In Che Jahanist - What kind of world is this.


View: https://youtu.be/cspVY-OWFLo?si=5nE_2p4IjbwSUGla


There's a translation here

https://lyricstranslate.com/en/che-jahaanist-what-world-che-jahanist.html

The translation doesn't read great in English, but I don't know enough Farsi to do a better job. In a nutshell the singer wonders what kind of heaven (behest) follows a world (jahan) where drinking wine is forbidden. Towards the end of the song the singer refers to himself and says he is going to get in trouble for singing this stuff.
 
I'm migrating this from @First Aspect's terribly emotional thread, as we're straying from his project brief.

FWIW I agree with you. I find it happens a lot with sung oratorio. You just think "I'm sure it's not meant to be this slow!"

A fun exercise but I took a listen to this. I reckon the right speed is about 1.4x the speed they are playing. 1.5x sounds about right but slightly on the edge of too fast and1.25 still sounds too slow...

View: https://youtu.be/pzlw6fUux4o?si=YVs2i0cxVn5Q50Cb


It's an enlightening game to take slow pieces and see how far you can push them speed-wise till they are just wrong by being too fast: it's a good way to recalibrate what feels right. Sometimes you end up not particularly liking the faster version, but by then you've made the slow version sound ridiculously ponderous, and you can't go back.

Specifically in the case of the Bach G-string Air, the way to adjust your perception is to play just the chords with the bass still playing quavers but not jumping octaves. Get it to a speed where it makes musical sense without the melody (for me that's about 60bpm, and what I would call the tactus, or sense of rhythmic 'tread'), then *sing* the melody on top, like an improvised melisma. It turns it into an ecstatic outpouring of melody, rather than a dirge.

The thing is, it doesn't really work just speeding up a slow recording, as those players have shaped the melody thinking in a quaver pulse, rather than a pulsing crotchet tactus.

So there.

And here endeth today's music appreciation lecture.
 

secretsqirrel

Active Member
I'm migrating this from @First Aspect's terribly emotional thread, as we're straying from his project brief.



It's an enlightening game to take slow pieces and see how far you can push them speed-wise till they are just wrong by being too fast: it's a good way to recalibrate what feels right. Sometimes you end up not particularly liking the faster version, but by then you've made the slow version sound ridiculously ponderous, and you can't go back.

Specifically in the case of the Bach G-string Air, the way to adjust your perception is to play just the chords with the bass still playing quavers but not jumping octaves. Get it to a speed where it makes musical sense without the melody (for me that's about 60bpm, and what I would call the tactus, or sense of rhythmic 'tread'), then *sing* the melody on top, like an improvised melisma. It turns it into an ecstatic outpouring of melody, rather than a dirge.

The thing is, it doesn't really work just speeding up a slow recording, as those players have shaped the melody thinking in a quaver pulse, rather than a pulsing crotchet tactus.

So there.

And here endeth today's music appreciation lecture.

Happiness is a cigar called Hamlet.
 

secretsqirrel

Active Member
I think my favourite was the golf one in the bunker. A little bit of genius.

Will have to look that one up, there were so many.

That is the sound track I most associate with Bach’s G String. Slow chilled jazz. Can‘t contemplate speeding it up at all.

I have never smoked so wasn’t damaged watching those ads as a kid.
 
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