I've since discovered it was on 'limited release' early December. I presume there's a technical or financial reason for that. I wonder if my daughter has Netflix.
Crikey, the responsibility! Well, I can't guarantee how it will make you feel, but it is very funny indeed, and it is largely focalized through characters I envisage you would identify with - specialists who are modestly plugging away at their area of expertise and find themselves having to act what governments and the media won't. And despite the way the film channels and distills the absurdity of popular denialism and media distraction, it doesn't need to do any preaching or persuading because, as the director Adam McKay has said, any idiocy they could dream up was 'out-crazied by reality' at every turn.
For me the best moment in the film, if you discount the closing Bronteroc gag with its deliciously obvious build-up, is...
... when the Jennifer Lawrence character (a PhD student who spotted and photographed the comet) has become a reluctant media figure and, having come close to getting the government to act decisively, is foiled by an insanely exploitative comet-mining plan implemented by the tech billionaire and has turned to grassroots campaigning to try and raise awareness. She goes home to visit her parents, perhaps for the last time. They reject her from behind a storm door with the words 'Your dad and I are for the jobs the comet will provide.'
Anyway, what I'm trying to say is that it makes hilariously short work of what divides us, and whilst it can't really afford to be an optimistic film, it is replete with possibilities from idealism to realpolitik, and it faces catastrophe by affirming what matters. There's a We Are Many, They Are Few vibe running through it, and no sense of invincibility or inevitably about the absurd forces propelling us toward disaster. Dunno if any of that helps.
I do recall a certain Didcot-based cycling acquaintance railing against having to use facebook to access cycling events. I wonder how he's getting on now
I do recall a certain Didcot-based cycling acquaintance railing against having to use facebook to access cycling events. I wonder how he's getting on now
Quite like Marc, seen him a few times both headlining and as support to Jules Holland. He's an artist who's gotten better as they have matured, I believe he did quite a lot of voice coaching to improve his vocals.
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