Muted, gagged, silenced.. . I don't really think it matters, they are either impacted directly, not booked by venues due to pressure, or self censor for fear of being dropped, not booked etc. So some people will find a voice but at the expense of others.
My view is that both should have a voice
We all self censor though don't we, depending on circs, unless we're sociopaths ??
Some have done that,
far more than others, in the past.
Historically the marginalised have
had to self censor enormously, even to be allowed to get away with existing, in the face of homophobia, transphobia, sexism, racism and so on..
I think to a certain extent what we might think of as the 'mainstream' are somewhat offended by these groups no longer feeling the need to apologise for existing, and instead having the cheek to be fully rounded vocal people, not just some tokenised stereotype.
Democratisation of voice has come about to a certain extent via SocMed .
Yes all should be 'allowed' to exist and have voice, in principal.
But there's still a lot of marginalised voices we don't ever get to hear though..
Still a lot of need to amplify the unheard, not worry so much about the supposed 'cancelling' of 'the old guard' they're not going anywhere.
Anyhow this is about 'comedy' right, a notoriously difficult thing to pin down..
And I
am going somewhere..